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Includes bibliographical references (p. 38-39).
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Bibliography: pages 26-27
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Includes bibliographical references (p.38).
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Includes bibliographical references (pages 60-61)
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Includes bibliographical references (pages 32-34).
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The “feminization of poverty” is a phenomenon that affects every sector of Uganda’s society. The traditional cultural construct deprives women of their rights to develop into selfsustaining entrepreneurs. The past civil wars and AIDS have decimated a large portion of the population, leaving many destitute widows and children. As much as the current government of Uganda has made a significant effort in turning the war torn economy around, it is apparent that land ownership, as well as traditional expectations, continue to create an imbalance in the social construct of the culture. The majority of the women engage in sustainable enterprises such as basket weaving, mushroom growing and accessory product design by reusing waste materials and using eco-friendly farming methods. There is a marketable surplus of their products unfortunately; they have yet to find a market for them. This study, therefore, will illustrate the current welfare of Ugandan women, their unfortunate societal conditions influenced by gender inequality, as well as the untapped potential that they have as self-sustaining entrepreneurs. The research will also show that designing an effective distribution system will give the women the ability to market their products more effectively, thereby alleviating them from the vicious cycle of poverty.
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Works cited: page 35
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Includes bibliographical references (pages 29-30)
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Includes bibliographical references (pages 173-178).
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Bibliography: pages 27-28
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Works cited: pages 32-34
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This thesis provides an analysis of the author’s artistic style through an exploration of the cultures and art movements that have shaped it. The illustrated portion of the thesis is then analyzed in terms of these styles.
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Includes bibliographical references (p.24-25).
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Includes bibliographical references (p.27-28).
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Includes bibliographical references (p.61-63).
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Includes bibliographical references (p.26-27).
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Bibliography: pages 139-140
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Bibliography: pages 72-73
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Includes bibliographical references (pages 136-142).
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Bibliography: pages 57-60
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This thesis presents an analysis of the author’s development as an artist and his intention for pursuing a career in the arts. It touches on many influences that have motivated his artistic direction and provides an introspective breakdown of his work in relation to his mental and physical process. The author also touches on his own personal views into the creative fields and how he intends to grow by exploring the challenges faced by an ever evolving market.
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Includes bibliographical references (pages 37-38)
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Includes bibliographical references (pages 44-45)
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Includes bibliographical references (p.16).
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