Graduate Thesis Collection
Collection of theses from 2010 and later
This database houses the graduate thesis work completed at all SCAD locations from fall 2010 forward. It is keyword searchable and includes both written and visual components, giving the user a broader understanding of both product (digitized studio work) and its underlying concept (the written thesis). The goal of the database is to provide both aspiring MFA candidates timely models of what a graduate thesis should address, and the larger public a sense of the richness of graduate work done at SCAD. Questions regarding this database should be directed to the Visual Resources Center (vrc@scad.edu)
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Includes bibliographical references (p.34-36).
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Includes bibliographical references (p.25).
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Includes bibliographical references (p.60-61).
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Bibliographical references: pages 61-64
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Bibliography: page 20
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Includes bibliographical references: page 34
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This thesis focuses on the different approaches that the Director/Cinematographer team can take in order to create “visual tension.” This paper studies the compositional techniques and visual theories rather than the tension created through the subject matter (story) of a film. The aim of this thesis is to investigate how the audience can react to certain compositions through the use of research papers and books on established filmmaking conventions and psychological studies of fear.
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The aim of this thesis is to provide the reader with a basic understanding of the necessity of actively displaying the decision-making process in animated characters in a visual way. A breakdown of the differing types of decision-making will be followed with a discussion of a few of the most common techniques employed in their visualisation. The latter part of the paper will touch briefly on how the visual display of decision-making impacted the creation of the visual component of this thesis, the short film “Thinking”.
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Includes bibliographical references (pages 72-73)
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Bibliography: page 31
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Works cited: pages 94-96
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Includes bibliographical references (p. 52-55). Filmography: p. 56-57.
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Includes bibliographical references (p.53-55).
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Includes bibliographical references (p.35-37).
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Includes bibliographical references (pages 23-25).
Visual component is author's documentary short film "Rabari: The People of the Leopard."Attached item(s):
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Bibliographical references: pages 80-85
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Bibliography: pages 41-42.
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Bibliography: pages 17-19
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Bibliography: page 30
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Bibliographical references: pages 89-93
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Works cited: pages 28-29
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Medical illustration serves as the visual intermediary between scientific data and the audience. The goal of the medical illustrator is to convey anatomical and scientific information in an accurate, yet visually enticing manner. Because medical illustration is a visual art, artistic license can play a significant role in the success or failure of an illustration as a pedagogic means.
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Perception is “the ability to see, hear, or become aware of something through the senses.”(1) With the current advances and globalization, the world has become a smaller place where almost everything is accessible. Sources of information are at everyone’s reach, whether by the use of internet or the media. Therefore, perception could be gathered from what is seen on the TV, heard on the radio or read on the internet. Not to disregard all these mediums, but in order to get an even closer source of information, one must conclude from his/her own sensory experiences.
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Bibliography: pages 111-114
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- English
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