Graduate Thesis Collection
Collection of theses from 2010 and later
This database houses the graduate thesis work completed at all SCAD locations from fall 2010 forward. It is keyword searchable and includes both written and visual components, giving the user a broader understanding of both product (digitized studio work) and its underlying concept (the written thesis). The goal of the database is to provide both aspiring MFA candidates timely models of what a graduate thesis should address, and the larger public a sense of the richness of graduate work done at SCAD. Questions regarding this database should be directed to the Visual Resources Center (vrc@scad.edu)
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Works cited: pages 33-36
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- 1 document
- 2 videos
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Works cited: pages 53-55.
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- 1 video
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Includes bibliographical references (p.43).
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- 1 document
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Includes bibliographical references (p.181-182).
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- 1 document
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Bibliography: pages 25-26
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- 1 document
- 1 video
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Bibliographical references: pages 35-37.
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- 1 document
- 1 video
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Includes bibliographical references (pages 29-35).
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- 2 documents
- 2 videos
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Includes bibliographical references (pages 46-47)
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- 1 document
- 1 video
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Bibliography: pages 86-93
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- 1 document
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Bibliography: page 29
Attached item(s):
- 1 document
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Includes bibliographical references (p.34-36).
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- 1 document
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Includes bibliographical references (p.25).
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- 1 document
- 1 video
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Includes bibliographical references (p.60-61).
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- 1 document
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Bibliographical references: pages 61-64
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- 1 document
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Bibliography: page 20
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- 1 video
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Includes bibliographical references: page 34
Attached item(s):
- 1 document
- 1 video
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This thesis focuses on the different approaches that the Director/Cinematographer team can take in order to create “visual tension.” This paper studies the compositional techniques and visual theories rather than the tension created through the subject matter (story) of a film. The aim of this thesis is to investigate how the audience can react to certain compositions through the use of research papers and books on established filmmaking conventions and psychological studies of fear.
Attached item(s):
- 1 document
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The aim of this thesis is to provide the reader with a basic understanding of the necessity of actively displaying the decision-making process in animated characters in a visual way. A breakdown of the differing types of decision-making will be followed with a discussion of a few of the most common techniques employed in their visualisation. The latter part of the paper will touch briefly on how the visual display of decision-making impacted the creation of the visual component of this thesis, the short film “Thinking”.
Attached item(s):
- 1 document
- 1 video
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Includes bibliographical references (pages 72-73)
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- 2 documents
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Bibliography: page 31
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- 1 document
- 1 video
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Works cited: pages 94-96
Attached item(s):
- 2 documents
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Includes bibliographical references (p. 52-55). Filmography: p. 56-57.
Attached item(s):
- 1 document
- 1 video
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Includes bibliographical references (p.53-55).
Attached item(s):
- 1 document
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Includes bibliographical references (p.35-37).
Attached item(s):
- 1 document
- English
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