Graduate Thesis Collection
Collection of theses from 2010 and later
This database houses the graduate thesis work completed at all SCAD locations from fall 2010 forward. It is keyword searchable and includes both written and visual components, giving the user a broader understanding of both product (digitized studio work) and its underlying concept (the written thesis). The goal of the database is to provide both aspiring MFA candidates timely models of what a graduate thesis should address, and the larger public a sense of the richness of graduate work done at SCAD. Questions regarding this database should be directed to the Visual Resources Center (vrc@scad.edu)
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Includes bibliographical references (pages 27-28).
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Bibliography: pages 34-35
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Architecture thesis design and neuroscience are married through intense focus of a specific facet of human psychology; the phenomenology of memory. Because memory is considered phenomenal, this approach lends itself greatly to the further consideration that memory is a psychological device, subconsciously constructed and utilized by the mind to describe and rationalize everyday phenomenon in order to structure the mental landscape, giving meaning to the physical landscape.
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"This thesis will explore my relationship with West Virginia, my home state, and how I have continuously wrestled with the bittersweet feelings that come with it. After leaving my small town as soon as I could, and through that act of leaving, my relationship to West Virginia transformed. It is a change that these essays seek to uncover. Over the course of this thesis, I discuss my childhood memories of West Virginia and how those have shaped me as an adult. In addition, I examine some of my family members and their ties to the Mountain State, all while trying to make sense of what it means to be 'West Virginian.' Most of all, this thesis establishes 'home' as something you can’t escape, but more importantly, as something that should always be taken with you—even if it’s against your will."
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Bibliography, page 38 ; webliography, page 39.
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Bibliography: pages 125-129
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Bibliography: page 20
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Includes bibliographical references (pages 34-36)
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Bibliographical references: pages 89-94
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Works cited: pages 84-87.
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This thesis is a look at the role of masks in classic American horror cinema, and an attempt to explore the use of masking as performance therein. By uncovering features and qualities utilized in some of the great American horror films, I wish to show that masking has a profound and central role in the mythology of Hollywood monsters.
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This thesis focuses on how the power of branding technology-savvy garments successfully will set a monumental change within the fashion industry. This change is needed to provide the continuously evolving consumer today with adaptable and elevated products. The aim of the thesis is to study the technology that is currently developed and create a possible solution for the industry to successfully execute these products at an obtainable price. Furthermore, the thesis informs designers how to create innovative designs that are resourceful and will truly impact the consumer.
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Includes bibliographical references (pages 42-43)
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Bibliography: pages 17-18
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Works cited: pages 57-58
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Bibliography: pages 30-31
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Includes bibliographical references (p.71-74).
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Includes bibliographical references (page 36).
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Bibliography: pages 90-92
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Includes bibliographical references (p.22-23).
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Works cited: page 40.
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Includes bibliographical references (pages 201-202)
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Includes bibliographical references (pages 115-116).
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Bibliography: page 35
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- English
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