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Includes bibliographical references (p.181-182).
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Bibliography: pages 25-26
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Bibliographical references: pages 35-37.
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Includes bibliographical references (pages 29-35).
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Includes bibliographical references (pages 46-47)
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Bibliography: pages 86-93
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Bibliography: page 29
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Includes bibliographical references (page 19).
Visual component is author's short film "Healing with Harmonies."
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Includes bibliographical references (p.34-36).
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Includes bibliographical references (p.25).
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Includes bibliographical references (pages 32-34).
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Includes bibliographical references (p.60-61).
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Bibliographical references: pages 61-64
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Includes bibliographical references (pages 47-52).
Studio component is author's animated short film "Teddy Bear Panic."
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Bibliography: page 20
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Includes bibliographical references: page 34
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Includes bibliographical references (page 27).
Studio component is author's animated short film "Tie Xi."
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This thesis focuses on the different approaches that the Director/Cinematographer team can take in order to create “visual tension.” This paper studies the compositional techniques and visual theories rather than the tension created through the subject matter (story) of a film. The aim of this thesis is to investigate how the audience can react to certain compositions through the use of research papers and books on established filmmaking conventions and psychological studies of fear.
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The aim of this thesis is to provide the reader with a basic understanding of the necessity of actively displaying the decision-making process in animated characters in a visual way. A breakdown of the differing types of decision-making will be followed with a discussion of a few of the most common techniques employed in their visualisation. The latter part of the paper will touch briefly on how the visual display of decision-making impacted the creation of the visual component of this thesis, the short film “Thinking”.
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Includes bibliographical references (pages 72-73)
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Bibliography: page 31
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Works cited: pages 94-96
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Includes bibliographical references (p. 52-55). Filmography: p. 56-57.
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Includes bibliographical references (p.53-55).
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